composer
Antena
(2026)
for bass flute, bass clarinet, violin, cello, electric guitar, percusion, piano
duration: 10'
I. 157
II. OOO
III. Jₙ (I)
IV. Δt
written for and dedicated to Ensamble ArtHaus
Amalia Pérez, bass flute
Federico Landaburu, bass clarinet
Carlos Brítez, violin
José Araujo, cello
Pablo Boltshauser, electric guitar
Bruno Lo Bianco, percusion
Leandro Rodríguez Jáuregui, piano
Pablo Druker, conductor
first performance: May 30 & 31, 2026 ArtHaus Central, CABA
Composed during the Residencia de composición y producción Mozarteum-Arthaus
Cité Internationale des Arts, Paris, Nov-Dec 2025
A cosmos of frequencies unfolds on the physical/temporal plane. In our bodies, the organic machines capable of perceiving this phenomenon capture sounds through the ear, detect formal patterns in the manifestations of nature, resonate with the vibrations of bodies, differentiate the colors of wave variations. These machines that translate the pulses of the world are antennas: tactile organs sensitive to the rhythm of these signals, artifacts of a biological technology of reception and transmission.
In Antena, the ensemble functions as a large electroacoustic device, designed to emit and receive the power of sound energy that comes from diverse processes of modulation and material transformations. A machine that deploys and translates frequencies to and from free space.